Architect Louis Sullivan did it no favors when he declared, “form follows function.” Modern artists, architects and designers wrote beauty off as a surface trait employed for its own sake. And while we’ve been through countless artistic and cultural trends since then, beauty has retained its negative connotation. To call something ‘beautiful’ is to suggest it is pretty on the outside, but otherwise unsubstantial, hollow.
Why is this? I think we’re quick to dismiss beauty because we don’t have the language to discuss it. Webster’s first definition, “the quality of being physically attractive,” is unhelpful. The second definition sets us on a better path: “the qualities in a person or thing that give pleasure to the senses or the mind.”
That’s why beauty is so powerful. It triggers emotion. It attracts. It gives pleasure. What’s more, beauty is universal: Everyone, regardless of culture, age or experience can recognize and appreciate a beautiful person, scene, object or sound, even though we have differing opinions of what qualifies a s beautiful. When something captures your attention or stirs your emotions, look more closely: Beauty stems not just from outward appearance, but from the substance or story that lies beneath. Let’s consider beauty on a deeper level—and harness the connection between meaning and beauty to create transformative work.